Saturday, 31 December 2011
Tuesday, 20 December 2011
Monday, 21 November 2011
concord
Saturday, 19 November 2011
Little Angels
Thursday, 27 October 2011
Pepper Pot projection WHITE NIGHT BRIGHTON
Sunday, 16 October 2011
Wednesday, 14 September 2011
Monday, 12 September 2011
Thursday, 8 September 2011
Wednesday, 31 August 2011
Tuesday, 19 July 2011
Tuesday, 12 July 2011
Reach for the sky
A sculpture that has started to reach upwards but inevitably started to overbalance so had to have strutts added to stabalise it. I will eventually make one that reaches from floor to ceiling which seems a very small task up to Brancusi but then often gets delayed by me getting preoccupied with other concepts. The title comes from the 50's film with Keneth Moore about Douglas Bader the fighter pilot who during the war had to have his legs confiscated to stop him escaping. Kind of interesting to view a sculpture in this light.Monday, 4 July 2011
Sunday, 19 June 2011
Shifting Boundaries update


"I particularly enjoyed the sculptural installation just inside the door with the video showing it creeping around a house. That was great, really uncanny. Spoke to me about the way in which art is a bit out of place in the home and the need to make it can come to seem like a malevolent presence."
This appeared on an art blog recently. A critic was commenting on the Shifting Boundaries exhibition.
Tuesday, 10 May 2011
Shifting Boundaries, Doorway sculpture
Doorway : (2011).
(a doorway becomes a symbol for entry and exit, an opening which leads us through from one space and dimension to another; a portal).
Doorway, which is on exhibition at the Phoenix Gallery in Brighton throughout May,
is a site specific work that deals with the concept of inside and out. In its essence it will be more about the movement between the two. The doorway is a set structure that the amorphous sculpture moves through between the two sides, using it both as a support mechanism as well as a framing device. Pictures of a
living room are used as part of the jopinted structure's surface. The pictures incorporate artifacts and scenes from the artist's personal life. The piece includes a TV which is constantly showing a film of the structure actually moving around the original living room space that was photographed to create its "skin". This film acts as a memory of the sculptures existence outside of the exhibition space. How we view reality and the way that we see the world around us is brought into question.
Photos: John House.






